Ruth and Carl J. Shapiro Family Courtyard © Chuck Choi. Image courtesy of the Museum of Fine Arts, Boston
About ten years ago, well known (infamous, to some) MFA Director Malcolm Rogers began to build support for the expansion, eventually raising $504 million for the new wing. Criticized in the past for his staff overhauls and controversial exhibits, you can feel Roger’s fingerprint throughout the new wing, which will undoubtedly serve as a lasting reminder of his tenure at the MFA.
Designed by London based architectural firm Foster + Partners, the 133, 491 square foot addition houses more than 5,000 pieces from North, South and Central America in 53 galleries. As you ascend the four floors, you are also moving forward in time. The lower ground level consists of a relatively small collection of Pre-Colombian, Andean and Native North American art along with pieces from 17th century New England. Level one and two takes visitors through American Colonialism, American Impressionism and beyond. These two levels showcase what the MFA is most well known for; it’s expansive collection of 18th and 19th century American art and artifacts. Iconic works by John Singer Sargent, John Singelton Copley, Thomas Sully, Samuel McIntire, Winslow Homer and Louise Comfort Tiffany are all on view, and not to be missed by any visitor to Boston.
The Passage of the Delaware, Thomas Sully. Museum of Fine Arts, Boston. Gift of the Owners of the old Boston Museum. Photograph © Museum of Fine Arts, Boston
In sharp contrast to the breadth of work exhibited on floors two and three, the fourth floor consists of a poor collection of modern American art. Although it houses several pieces by Goergia O’Keefe and Arthur Dove, the MFA’s holdings in this category are rather dismal. In a review of the wing, Boston Globe Art Critic Sebastian Smee described the offerings on the fourth floor as “blowsy and third-rate,” a fair assessment in my eyes.
Despite the disappointment the fourth floor provided, the new wing is highly impressive. It transforms the entire visitor experience at the MFA, highlights collection strengthens and embraces where Mr. Rogers and the rest of the MFA staff need to focus acquisition efforts.
For visitor information go here.
Editorial Disclaimer: The author of this post received discounted or complementary admission to the above mentioned exhibition, courtesy of the host institution, organization or gallery.
